Monday, 18 April 2011

Monday 18th April 211 Postmodernism and before.

Before Postmodernism there was 'High Modernism', but that is not part of the specified brief, so let me get back to the point.
Postmodernism- An art movement, the origins of which began in the mid to late 1980's. To understand the term it is important to first understand the meaning of Modernism, the movement from which Postmodernism seems to grow and/or emerge. Modernism, as you are no doubt already aware is the movement in visual arts, music, literature and drama which rejected the old Victorian standards of how art should be made, consumed and understood. Its emphasis was on impressionism and subjectivity, on how we see and perceive the world. The fragmentation and discontinuity of form seen in the work of Picasso are an ideal example of modern art and for that matter modern thought. Modernism also rejects the distinction between 'high' and 'low' art and popular culture in its methodology, materials used, distribution and display.
 Postmodernism continues with most of these ideas but also concentrates its attention on self-consciousness, reflection, ambiguity, deconstuctured and dehumanized subjects. Basically the Postmodernist argument is that every conceivable avenue has been explored in the last century or so and there is now hardly any scope for novelty or originality. It has therefore embraced as many techniques as possible, sometimes combining various techniques into one piece of work. A great example of this is the work of the early Postmodern artist Shinro Ohtake (b.1955). He works in a variety of disciplines from dense collages (his most famous works) to sculpture, sketches, water colours, oil painting and etchings. Ohtake uses the world as his source, using journeys dreams and his collaged diaries to make sense of the inner surface of layered perception.

Fig 1.
I see Postmodernism as a sort of patchwork quilt of ideas and techniques taken from the past and re-constituted in an attempt to come up with something completely new. It appears to me to be a sort of an art movement stop gap while we wait for the next new BIG change in art. This is what I find most interesting. The question of what will be the next art movement? Post-Postmodernism, Neo-modernism, Mind modernism? Which ever it is (if there is another) I am sure that photography will be integral to it. Why? I'll tell you later.




Reading:  art The World of Art, from Aboriginal to American Pop, Renaissance Masters to Postmodernism (Professor Robert Belton 2002)

Postmodernism (Dr Mary Klages last revised April 2003)http://www.colorado.edu/English/courses/ENGL2012Klages/pomo.html

         Image:  http://www.google.co.uk/imgres?imgurl=http://www.thewire.co.uk/images/artists/shinro_ohtake/shinro08.jpg&imgrefurl=http://www.noiseguide.com/board/viewtopic.php%3Ft%3D5341%26sid%3Dacf117992df1eb84c83e3fb0d1ab80d1&usg=__m0tamP948vyZxGvQgnIRozVwQCY=&h=400&w=600&sz=98&hl=en&start=29&sig2=fEPzWi3IxJ83v2S9b2UiFw&zoom=1&tbnid=9mVAk9GmHqp4-M:&tbnh=162&tbnw=194&ei=pending&prev=/search%3Fq%3Dshinro%2Bohtake%26hl%3Den%26sa%3DX%26biw%3D1280%26bih%3D676%26tbm%3Disch0%2C676&itbs=1&iact=hc&vpx=768&vpy=12&dur=294&hovh=183&hovw=275&tx=176&ty=159&oei=gjCsTeOyNIOxtAby-9yoDA&page=2&ndsp=18&ved=1t:429,r:4,s:29&biw=1280&bih=676

Wednesday, 6 April 2011

Wednesday 6th of April 211. Feminism, It comes in waves.

Fig 1. Cindy Sherman, UNTITLED #122

Feminism, for me was never a subject I felt the need to consider, and why would/should I. My opinion was; it had nothing to do with me and everything to do with the 'other'. However during my research I have discovered a depth of complexities associated with Womens photography in general and what I called Feminist photography. From the pioneering photo therapy of Rosy Martin and Jo Spence to Carrie Mae Weems who has created for herself a space somewhere between documentary and conceptual appropriation. It has become clear to this humble cave dweller that much is going on below the surface.
 What is Feminism and when did it start?  According to Simone de Beauvoir (1908-1986) the first women to 'take up her pen in defence of her sex' was Christine de Pizan back in the 15th century. As I now understand it , Feminism is the protest against womens oppression. It seeks to afford women the same opportunities and privilege's that society gives to men. Form this I am of the opinion that feminists aim to change society from a Patriarchal one to one that is a little more evenly balanced.  Logically then all women should be feminists. I asked a couple of women that I know if they were feminists and after some thought they replied 'somtimes'.
At this present moment in time we are in what is termed the 'Third wave' of feminism. This started in the 1980's and has continued  to now. The first wave was during the 19th century. The second started in the 60's and lasted through to the late 70's. These waves have seen the philosophical perspective of feminism evolve and shift from equality and difference in feminist thought, liberal feminism, cultural feminism first and second stage to the challenges of postmodernist feminism faced today.
 I would like now to look at three feminist photographers that I feel are of interest and have been influential in the way women construct identity. Fig 1. is 'Untitled #122' 1983 by the artist Cindy Sherman. Sherman does not consider her work to be feminist (feminists disagree) although it blatantly draw attention to the stereotyping of women by the media. Sherman's postmodern take on photography is  used not to embody her as an artist but rather shape her as an artist and a woman.
Fig 2. 'Regen projects' Cathrine Opie.
Fig 3.'Bo' Cathrine Opie 1991

Cathrine Opie (proffesor of photography) in her portrait series uses make up, costumes, expression and positioning to take on a variety of different persona's Fig 3, similar to the work of Sherman Opie takes it a step further by assuming the identity of another gender. In another of her series of works 'Role Models' Fig 2. she focuses on the codes of gender representation once again but this time we are taken inside to take a fascinating look at her life from a gay, lesbian and S+M point of view.
Fig 4. 'Unwind the lies that bind, 1988 (in collaboration with Jo Spence)

Finally I have included the work of Rosy Martin (because I love her). A British photographer who in Fig 4 was working on the edge of the second wave of feminism. 'Unwind the ties that bind' sees Martin shouting and screaming out against clause 28, a measure intended to outlaw homosexuality from discourse by giving local authorities the power to exclude any mention of 'IT' in the education curriculum. Fig 4 shows Martin strapped up and covered in provocative text. Here the intention is to undermine the bigotry that informed the passing of this equally provocative legislation. Look at how the image overlaps and is pieced together. For me it echoes the different parts and ways we all construct ourselves as individual Identities.
I asked my next door neighbour to define what feminism meant to her she gave me three words: Equality, Balance and Feminine Values ( I know, that's 4 words).  



Reading List:
Bodies of Experience. Paul Jobling 1997
Role Models feminine identity in contempory American Photography. National Museum of Women in the arts 2008.
Feminist Theory Today. Judy Evans 1995.

Images:
Fig 1. 'Untitled #122
Fig 2. 'Regen Projects'
Fig 3. 'Bo'
httpwww.google.co.ukimgresimgurl=httpi111.photobucket.comalbumsn147djmucifer25118755.jpg&imgrefurl=httpthinkpinkradio.com200810&usg=__Y9zQ-PIRE4Og0C1bmZpBbEVw1hA=&h=350&w=465&sz=24&hl=en&start=0&zoom=1&tbnid=bfBbU5PiBSqhaM&tbnh=144&tbnw=189&ei=bmCcTeKYEIvRsgbu8Kz5BQ&prev=search%3Fq%3Dcatherine%2Bopie%2Bportraits%26hl%3Den%26sa%3DX%26biw%3D1276%26bih%3D594%26tbm%3Disch%26prmd%3Divnso0%2C74&itbs=1&iact=hc&vpx=132&vpy=161&dur=348&hovh=195&hovw=259&tx=174&ty=158&oei=bmCcTeKYEIvRsgbu8Kz5BQ&page=1&ndsp=24&ved=1t429,r8,s0&biw=1276&bih=594
Fig 4. 'Unwind these lies that bind'
   http://indecentbazaar.wordpress.com/author/faithreasonimagination/